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De Profundis explored the depths of isolation via the staging of Carissimi's oratorio Jonas and J.S. Bach's Aus der Tiefen, rufe ich, Herr, zu dir, BWV 131. Jonas tells the story of a man who runs from God's call only to find himself in personal darkness, while Bach's BWV 131 musically depicts the suffering of those who reach toward God and hear no answer. The production unfolds as a modern day liturgical drama with interpolations of biblical stories and Gregorian chant.
De Profundis (From the Depths)
Inspired by composer Robinson McClellan's work of the same title, Dreaming in Darkness was a musical and visual multi-sensory production that paired vocal music with dynamic lighting from the LED light sculpture Totem, with lights designed by Sean Smallman. The production also incorporated modern dance creating a three tiered physical, visual, and aural performance.
Dreaming in Darkness
PASSIONate CONVICTions is a contemporary staged interpretation of J.S. Bach's Johannes Passion that utilizes the entire space of the Indiana University Art Museum's multi-level Thomas T. Solley Atrium. The production incorporating electrified and acoustic instruments bridging the realms of the classical and rock concert. This 75-minute production investigates humanity's struggle for knowledge and truth. In conjunction with the concerts, the museum's Gallery of Art of the Western World will display a selection of artworks addressing the Passion story. Feb. 26-27, 2010.​
PASSIONate CONVICTions
Voices of Critters and Parasite are video installations with digital animations designed by artist Youngsuk Altieri. The works explore the symbiotic, commensal, and parasitic relationships of insects and aquatic organisms. These works have show in Vancouver, New York, Los Angeles, Roanoke, Dayton, Bloomington, and Kansas City.​
Voices of Critters & Parasite
​Ensnaring Hate commemorated the 40th anniversary of Martin Luther King's death with staged performances of William Grant Still's And They Lynched Him On A Tree, Thomas Jennefelt Stimoli Volio, and Harald Svensson's I-A-O with interpolations of King's speeches. An excerpt of this production was revived for a conference on music theory and identity titled Silence and Explosion in 2008.
Ensnaring Hate​
The premiere performance of the Luminescence Project took place in Philadelphia at Temple University as part of the 2006 Philadelphia Fringe and Live Arts Festival. The work combined immersive staging, lighting, and interactive video projections under the musical direction of Mark Doerries and visual designer Maria Shaplin. The program included works by Schoenberg, Rautavaara, Whitacre, and Zhou Long.
Luminescence (Inception)
